Online mixes tend to stick best if you’re also breaking new tracks or revealing deep cuts on them – this is the time to show off your digging prowess. You’ll sometimes be surprised, for better or for worse, at what it sounds like when you’re not behind the decks.Ģ) Share the mix: Your fans and friends know that you’re a DJ, and in a media-saturated digital world full of content creators, sharing new content is the best way to remind them that you’re still in the game (and available to play their next house party). This especially comes in handy when you’re trying new techniques – from perfecting those basic transition styles to practicing new styles of buildups – and want to assess how well those techniques worked in the mix. Many different types of artists use this trick all the time (especially instrumentalists and dancers!) to see and hear exactly what the audience is experiencing.ĭon’t be afraid in this process to take notes and set goals for yourself. What’s the value of pressing record on every single one of your mixes? Your intentions for recording mixes should be multifaceted – we’ve split up the potential uses for recording mixes into three tiers for easy dissection:ġ) Review and critique: Forcing yourself to re-listen to your DJ practices and performances offers a unique opportunity to make assessments as to your skill set from the viewpoint of a listener. While it might sound like overkill, we live in an era of extremely cheap data storage (cheaper by the minute), so there’s virtually zero cost associated with recording your mix session. We’ve also put together some tips on how to make the process of recording those winning mixes simple and efficient.Ī few weeks ago in our weekly email, we included a tip that strongly encouraged recording every single mix that passes through your DJ equipment.

We’ve had a number of new DJs asking us to go over the basics of recording a mix, so today we take a closer look at why recording great DJ mixes is extremely important. You might be one of the top rising DJs in your town, but if you don’t have a portfolio of professional-sounding mixes, you’re just not going to land the gigs you want.

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